Anyhow there is a scene in the apartment of the pedophile couple where the camera does a 360 around a boy at his head hight and then just pulls up and turns into a birds view of the room revealing the construction plastic on the floor... crane sure... but where the hell is the base. Watched it again with commentary/ behind the scenes and sure enough it was a steadicam shot.
The production cut a hole into the ceiling... It starts with a 360 and then the operator is pulled through the ceiling by wires...
Alastair Rae was credit as the main Steadicam Operator but also Andrew Casey was billed as the op on the New York/New Jersey crew.