Jump to content


SequenceShoot with Dolly Fisher

Dolly Fisher Sequenceshoot arri steadicam production

  • Please log in to reply
1 reply to this topic

#1 Camaleon Cine

Camaleon Cine

    New Member

  • Members
  • Pip
  • 5 posts

Posted 24 April 2017 - 08:42 AM



The great Orson Welles used to say :”A long-playing full shot is what always separates the men from the boys. Anybody can make movies with a pair of scissors and a two-inch lens.” And as usual, the master was totally right. Thanks to movies such as “Children of men”, “Gravity” or “Birdman” (and a lot more) the sequence shots are once again very popular and with the help of digital cinema that removed several limitations we previously had (such for instance the time limitation of 10 minutes due to the size of 35mm film magazines), this kind of shot has become RELATIVELY easier (or at least possible even for small and medium-sized productions). The capital letters are on purpose, since shooting a one-shot sequence is still an extremely complicated thing to do, the longer the harder.


Last week, a friend and DoP offered me the chance to pull focus on a short movie which would be shot on a single shot of approximately 1 minutes length, in a studio with 9 actors. The camera would be the whole time on a J.L. Fisher dolly with rubber wheels to not disturb the actors with tracks and...


More info here.


Fabio Giolitti - Focus Puller.

  • 0

#2 Stuart Hutchinson

Stuart Hutchinson

    New Member

  • Members
  • Pip
  • 3 posts

Posted 05 May 2017 - 09:16 AM

Oh, cool, men!

  • 1

Also tagged with one or more of these keywords: Dolly, Fisher, Sequenceshoot, arri, steadicam, production

Paralinx LLC

Omnishot Systems

Wireless Video Systems

Ritter Battery

Betz Tools for Stabilizers

rebotnix Technologies

Media Blackout - Custom Cables and AKS

GPI Pro Systems

Varizoom Follow Focus

Engineered Cinema Solutions

The Moses Pole - Steadicam Monopod

Boland Communications


PLC - Bartech

PLC Electronics Solutions